Full-Frame Exmor Sensor and BIONZ X Image Processor
A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.
Internal UHD 4K Recording and Full Pixel Readout
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moir© and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.
5-Axis SteadyShot INSIDE Image Stabilization
Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
Custom Color Profiles and S-Log3 Gamma
Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Zebra and Gamma Display Assist
An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.
Slow & Quick Motion
Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.
Time Code and User Bit Settings
A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.
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